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While English bands were busy crafting their interpretation of American blues, the Shadows of Knight “re-added a Chicago touch” to the Brit sound. Dubbed “blues-punk,” the result was a high-energy mix of Chicago meets London in a back alley garage. Lead singer Jim Sohns could snarl like Howlin’ Wolf and move like Mick Jagger, a wicked combination guaranteed to generate pubescent pandemonium.
